{"id":5021,"date":"2019-11-12T14:58:09","date_gmt":"2019-11-12T14:58:09","guid":{"rendered":"http:\/\/4tickets.cat\/?p=5021"},"modified":"2021-06-02T08:47:05","modified_gmt":"2021-06-02T08:47:05","slug":"teatre-noves-tecnologies","status":"publish","type":"post","link":"https:\/\/4tickets.net\/ca\/teatre-noves-tecnologies\/","title":{"rendered":"Fins on pot arribar el teatre amb les noves tecnologies?"},"content":{"rendered":"\r\n<p><strong>No hauria d\u2019estranyar-nos l\u2019idil\u00b7li que el teatre mant\u00e9 amb les noves tecnologies. <\/strong>Un dels objectius de tota expressi\u00f3 art\u00edstica \u00e9s provocar emocions en el p\u00fablic i, precisament, les \u00faltimes innovacions digitals, en integrar-se dins l\u2019espectacle, desencadenen reaccions que esdevenen molt positives per a la funci\u00f3, essent la sorpresa la que m\u00e9s predomina en un primer moment.<\/p>\r\n\r\n\r\n\r\n<p>Per\u00f2 despr\u00e9s d\u2019aquest primer cop d\u2019efecte tecnol\u00f2gic, que serveix en moltes ocasions com a reclam per atraure el p\u00fablic, les TIC van molt m\u00e9s enll\u00e0, ja que fins i tot modifiquen l\u2019ess\u00e8ncia de l\u2019experi\u00e8ncia teatral i desdibuixen els rols de cada participant. Sense anar m\u00e9s lluny, transforma el paper de l\u2019espectador, que amb realitat augmentada, projeccions gravades en temps real, fragments cinematogr\u00e0fics, aplicacions o sensors, pot entrar plenament a la trama i fins i tot modificar-la. En conseq\u00fc\u00e8ncia, tamb\u00e9 l\u2019actor ha d\u2019adaptar-se a unes escenes molt m\u00e9s vol\u00e0tils i interactuar amb dispositius o robots que passen a formar part de l\u2019obra.<\/p>\r\n\r\n\r\n\r\n<p>\u00c9s el que Anxo Abu\u00edn Gonz\u00e1lez denomina, a <em>Teatro y nuevas tecnolog\u00edas<\/em>, <strong>\u201cescena intel\u00b7ligent\u201d<\/strong>. Aquesta \u00e9s \u201coberta, imprevisible i inestable, multilinial, que dep\u00e8n de la implicaci\u00f3 f\u00edsica de qui la utilitza, tot i que el m\u00e9s habitual \u00e9s que la interacci\u00f3 romangui en l\u2019esfera d\u2019all\u00f2 extern i exploratori, i que ha de deixar un marge ampli a la capacitat d\u2019improvisaci\u00f3 dels executants\u201d.<\/p>\r\n\r\n\r\n\r\n<h2 class=\"wp-block-heading\"><strong>La tecnologia al teatre<\/strong><\/h2>\r\n\r\n\r\n\r\n<p>Hi ha creadors que veuen en l\u2019<strong>eclosi\u00f3 de les noves tecnologies en el m\u00f3n del teatre<\/strong> el risc que perdi la seva ess\u00e8ncia. Per\u00f2 la \u2018digitalitzaci\u00f3\u2019 que estem vivint avui en dia \u00e9s un proc\u00e9s natural, tal com aprofundeix \u00d3scar Cornago Bernal en el seu treball <em>El cuerpo invisible: teatro y tecnolog\u00edas de la imagen<\/em>. <strong>\u201cEl teatre, com a t\u00e8cnica de la representaci\u00f3, ha estat sempre oberts als aven\u00e7os que li han perm\u00e8s ampliar les seves possibilitats d\u2019expressi\u00f3\u201d<\/strong>, resumeix. \u201cDes del comen\u00e7ament va introduir enginys t\u00e8cnics per fer aparicions des de les altures, vols en escena, desaparicions pel terra o estranyes mutacions que deixessin el p\u00fablic bocabadat. Tampoc ha deixat d\u2019adaptar-se amb rapidesa a les diferents t\u00e8cniques d\u2019il\u00b7luminaci\u00f3, ni als mitjans cada vegada m\u00e9s nombrosos per aconseguir una major mobilitat en l\u2019escena\u201d. \u00a0<\/p>\r\n\r\n\r\n\r\n<p>\u00c9s cert que tota innovaci\u00f3 pot semblar xocant en un principi, ja que remou els nostres costums. Per exemple, una de les \u2018normes\u2019 m\u00e9s assentades en entrar a una sala de teatre \u00e9s la d\u2019apagar els tel\u00e8fons m\u00f2bils. Doncs sembla que en aquest cas tamb\u00e9 haurem de desaprendre.<\/p>\r\n\r\n\r\n\r\n<p><strong>V\u00edctor \u00c1lvaro, director d\u2019Almeria Teatre<\/strong>, ens va explicar que en el seu espectacle musical <em>Flor de nit<\/em>, el p\u00fablic podia gravar el bis i compartir l\u2019actuaci\u00f3. \u201cSi tot es limita a posar els espectadors en fila, callats i a les fosques, estem morts, perqu\u00e8 la gent es quedar\u00e0 a casa veient Netflix\u201d, reflexionava.<\/p>\r\n\r\n\r\n\r\n<p>Hi ha molts altres exemples de com els <em>smartphones<\/em>, el gran enemic per a la concentraci\u00f3 dels artistes, est\u00e0 guanyant protagonisme. A <em>Toruk, el primer vuelo<\/em>, el <strong>Circ del Sol<\/strong> va oferir a cada espectador una experi\u00e8ncia \u00fanica i personalitzada mitjan\u00e7ant una <em>app<\/em> amb geolocalitzaci\u00f3. Durant l\u2019espectacle, el p\u00fablic podia interactuar apuntant amb els seus m\u00f2bils cap a l\u2019escenari. A m\u00e9s, rebien en els seus dispositius v\u00eddeos amb informaci\u00f3 addicional de l\u2019obra i de l\u2019univers que aquesta recreava.<\/p>\r\n\r\n\r\n\r\n<p>Un altre cas d\u2019<strong>innovaci\u00f3 en el m\u00f3n de l\u2019espectacle <\/strong>el trobem a l\u2019\u00f2pera <em>Turandot<\/em> que ha estrenat el Gran Teatre del Liceu aquesta temporada. A l\u2019escenografia d\u2019aquesta obra participen bra\u00e7os rob\u00f2tics, una pir\u00e0mide gegant i rotat\u00f2ria i vestuari amb llums LED controlades per wifi.<\/p>\r\n\r\n\r\n\r\n<p>I, parlant de vestits amb llums LED, fa uns anys el Tricicle va sorprendre tothom amb la seva darrera creaci\u00f3 in\u00e8dita, <em>BITS<\/em>: el trio d\u2019actors vestia amb una indument\u00e0ria futurista i il\u00b7luminada que canviava de color per representar des de sentiments fins a banderes.<\/p>\r\n\r\n\r\n\r\n<h2 class=\"wp-block-heading\"><strong>Tecnologia i els recintes culturals: millora la gesti\u00f3 de l&#8217;e-ticketing i el control d&#8217;acc\u00e9s<\/strong><\/h2>\r\n\r\n\r\n\r\n<p>El teatre i la tecnologia tenen un llarg cam\u00ed per rec\u00f3rrer junts. I tamb\u00e9 per als recintes culturals, ja que gr\u00e0cies a les noves tecnologies es poden portar al seg\u00fcent nivell aspectes tan claus com s\u00f3n el <strong><a href=\"https:\/\/4tickets.net\/ca\/control-acces-esdeveniments\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"control d'acc\u00e9s (s'obre en una nova pestanya)\">control d&#8217;acc\u00e9s<\/a><\/strong> i el tenir una <strong><a href=\"https:\/\/4tickets.net\/ca\/plataforma-venda-entrades\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"plataforma de venda d'entrades pr\u00f2pies (s'obre en una nova pestanya)\">plataforma de venda d&#8217;entrades pr\u00f2pies<\/a><\/strong>.<\/p>\r\n\r\n\r\n\r\n<p>En definitiva, amb la digitalitzaci\u00f3, les possibilitats de totes les entitats culturals per vendre m\u00e9s entrades s&#8217;han multiplicat. Un nou escenari en qu\u00e8 des <strong>4Tickets<\/strong> podem acompanyar-te amb el disseny de l\u2019<strong>estrat\u00e8gia de ticketing i de m\u00e0rqueting cultural<\/strong>.<\/p>\r\n\r\n\r\n\r\n<p><strong><a href=\"https:\/\/4tickets.net\/ca\/contacte\/\">Contacta amb nosaltres<\/a><\/strong>.<\/p>\r\n\r\n\r\n\r\n<p>&nbsp;<\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>No hauria d\u2019estranyar-nos l\u2019idil\u00b7li que el teatre mant\u00e9 amb les noves tecnologies. Un dels objectius de tota expressi\u00f3 art\u00edstica \u00e9s provocar emocions en el p\u00fablic i, precisament, les \u00faltimes innovacions digitals, en integrar-se dins l\u2019espectacle, desencadenen reaccions que esdevenen molt positives per a la funci\u00f3, essent la sorpresa la que m\u00e9s predomina en un primer [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5022,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[89],"tags":[],"class_list":["post-5021","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sense-categoria"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Fins on pot arribar el teatre amb les noves tecnologies? - 4Tickets<\/title>\n<meta name=\"description\" content=\"El teatre i les noves tecnologies sempre han anat de la m\u00e0. 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